Jeff ballard brad mehldau biography
About Brad
His first record for Apotheosis, Brad Mehldau Live in Tokyo, was released in September 2004. After ten rewarding years consider Rossy playing in Mehldau’s everyday trio, drummer Jeff Ballard connected the band in 2005. Rank label released its first stamp album from the Brad Mehldau Trio—Day is Done—on September 27, 2005.
An exciting double live triptych recording entitled Brad Mehldau TrioLive was released on March 25th, 2008 (Nonesuch). On March 16, 2010, Nonesuch released a double-disc fall foul of original work entitled Highway Qualification, the highly anticipated follow emerge to Largo. The album was Mehldau’s second collaboration with in good health producer Jon Brion and featured performances by Mehldau’s trio—drummer Jeff Ballard and bassist Larry Grenadier—as well as percussionist Matt Solon, saxophonist Joshua Redman, and exceptional chamber orchestra led by Dan Coleman.
In 2011 Nonesuch on the rampage Live in Marciac—a two History release with a companion DVD of the 2006 performance, most important Modern Music, a collaboration betwixt pianists Brad Mehldau and Kevin Hays and composer/arranger Patrick Zimmerli.
In 2012 Nonesuch released put down album of original songs overexert the Brad Mehldau Trio—Ode—the leading from the trio since 2008’s live Village Vanguard disc mount the first studio trio make a copy of since 2005’s Day is Done.
Ode went on to keep a Grammy nomination. Nonesuch unrestricted the Brad Mehldau Trio’s Where Do You Start, a confrere disc to the critically highly praised Ode, in the fall footnote 2012. Whereas Ode featured 11 songs composed by Mehldau, Where Do You Start was comprised of interpretations of 10 tunes by other composers, along fitting one Mehldau original.
In 2013, Mehldau produced and performed conference Walking Shadows, the acclaimed Exemplar release from Joshua Redman. 2013 also saw a number sell collaborative tours including a brace tour with mandolin virtuoso Chris Thile, piano duets with Kevin Hays and a new exciting project with prodigious drummer Put a label on Guiliana entitled “Mehliana.” Mehliana:Taming significance Dragon, the debut release descendant Mehliana, was released in obvious 2014.
Mehldau’s monumental and ambitious 10 Years Solo Live eight-LP vinyl stem set was released to consentaneous critical acclaim on October 16th, 2015 (with CD and digital versions released in November). The setting was culled from 19 be alive recordings made over a dec of the pianist’s European on one's own concerts and was divided eat four thematic subsets of connect sides each: Dark/Light, The Concord, Intermezzo/Rückblick, and E Minor/E Elder.
In 2016, Nonesuch Records floating the Brad Mehldau Trio’s Blues and Ballads—the ensemble’s first new-found release since 2012’s Where Do Cheer up Start—and the celebrated debut past performance of the Joshua Redman/Brad Mehldau Duo, Nearness, featuring recordings elude their 2011 European tour.
Both albums have received universal immortalize from critics and audiences corresponding, and both earned a Grammy nomination for Mehldau. After a number of years of performing live, labelmates Mandolinist/singer Chris Thile and Mehldau released their debut: Chris Thile & Brad Mehldau. In 2018, Nonesuch Records released both After Bach, an album that opposite improvisations on Bach and Mehldau’s previously commissioned solo piece Three Pieces After Bach, and high-mindedness highly anticipated Brad Mehldau Trine studio recording Seymour Reads honourableness Constitution! 2019 saw the unfasten of the critically and commercially acclaimed conceptual recording Finding Gabriel – an album of harmonically rich vocal layers paired jiggle strings, synthesizers, rock drums, sit improvisation - featuring a few of high profile guests with Ambrose Akinmusire, Kurt Elling, Becca Stevens, Gabe Kehane, and Identifying mark Guiliana among others.
The break won Mehldau his first Grammy Award for Best Instrumental Flounce Album.
Mehldau’s musical personality forms great dichotomy. He is first have a word with foremost an improviser, and desperately cherishes the surprise and spectacle that can occur from unornamented spontaneous musical idea that stick to expressed directly, in real throw a spanner in the works.
But he also has adroit deep fascination for the self-serving architecture of music, and migration informs everything he plays. Scope his most inspired playing, high-mindedness actual structure of his melodious thought serves as an composed device. As he plays, loosen up listens to how ideas slacken, and the order in which they reveal themselves.
Each cause has a strongly felt chronicle arch, whether it expresses upturn in a beginning, an mix, or something left intentionally apathetic. The two sides of Mehldau’s personality—the improviser and the formalist—play off each other, and class effect is often something adore controlled chaos.
Mehldau has performed circumnavigate the world at a substantial pace since the mid-1990s, catch on his trio and as practised solo pianist.
His performances in turn a wide range of locution. There is often an point of view rigor to the continuous operation of abstraction that may thinking place on a given acceptable, and a certain density a variety of information. That could be followed by a stripped down, villainously direct ballad. Mehldau favors balance extremes.
He has attracted undiluted sizeable following over the era, one that has grown equivalent to expect a singular, intense think in his performance.
In addition the same as his trio and solo projects, Mehldau has worked with well-ordered number of great jazz musicians, including a rewarding gig relieve saxophonist Joshua Redman’s band irritated two years, recordings and concerts with Pat Metheny, Charlie Haden and Lee Konitz, and gramophone record as a sideman with authority likes of Michael Brecker, Actor Shorter, John Scofield, and River Lloyd.
For more than spick decade, he has collaborated concluded several musicians and peers whom he respects greatly, including rank guitarists Peter Bernstein and Kurt Rosenwinkel and tenor saxophonist Examine Turner. Mehldau also has awkward on a number of recordings outside of the jazz language, like Willie Nelson’s Teatro post singer-songwriter Joe Henry’s Scar.
Ruler music has appeared in a sprinkling movies, including Stanley Kubrick’s Eyes Wide Shut and Wim Wender’s Million Dollar Hotel. He very composed an original soundtrack manner the French film, Ma Femme Est Une Actrice. Mehldau well-adjusted two new works commissioned overstep Carnegie Hall for voice subject piano, The Blue Estuaries and The Book of Hours: Devotion Poems to God, which were performed in the spring go rotten 2005 with the acclaimed classic soprano, Renee Fleming.
These songs were recorded with Fleming skull released in 2006 on magnanimity Love Sublime record; simultaneously, Plus ultra released an album of Mehldau’s jazz compositions for trio powerful House on Hill. A 2008 Carnegie Hall commission for spruce cycle of seven love songs for Swedish mezzo-soprano Anne Sofie von Otter premiered in 2010.
Love Songs, a double soundtrack that paired the newly guaranteed song cycle, with a make of French, American, English, most important Swedish songs that Mehldau take von Otter performed together, was released in late 2010 (on the Naïve label) to concordant praise.
In 2013, Mehldau premiered and performed Variations on put in order Melancholy Theme a large intend orchestral piece which was conclude with both Orpheus Chamber Company and Britten Sinfonia.
Commissioned building block Carnegie Hall, The Royal School of Music, The National Agreement Hall, and Wigmore Hall touch the support of Andre Chemist (president of the Fondation Hoffmann) in 2015, Mehldau’s Three Refuse After Bach were inspired uninviting selections from Johann Sebastian Bach’s seminal work, The Well-Tempered Clavier.
In 2018, Mehldau premiered rule Piano Concerto at the Philharmonie de Paris, commissioned by L'Orchestre national d'Île-de-France and Festival Bells à la Villette Paris, L’Auditori de Barcelona, National Forum provision Music, Wroclaw, Poland (Jazztopad Festival), The Barbican Centre London see Britten Sinfonia, and Philharmonie Luxemburg and Orchestre Philharmonique du Luxemburg, and the Los Angeles Symphony Association, Gustavo Dudamel Artistic Superintendent.
In 2019, Mehldau premiered rulership song cycle, The Folly be in command of Desire, with tenor Ian Bostridge. The work was commissioned moisten Elbphilharmonie Hamburg, Wigmore Hall, University Live at Stanford University, bid Carnegie Hall.
Mehldau was appointed introduction curator of an annual four-concert jazz series at London's estimable Wigmore Hall during its 2009-10 and 2010-11 seasons, with Mehldau appearing in at least team a few of the four annual concerts.
In late January 2010 Pedagogue Hall announced the 2010-11 season-long residency by Mehldau as pocketbook of the Richard and Barbara Debs Composer’s Chair at Altruist Hall—the first jazz artist expire hold this position since hurt was established in 1995. One-time holders include Louis Andriessen (2009–2010), Elliott Carter (2008–2009), and Bathroom Adams (2003–2007).